Originally published
Afterimage: The Journal of Media Arts and Cultural Criticism, Vol. 41 No. 3, November/December 2013; (pp. 19-25
There may be no image better equipped to illustrate Jesikah Maria Ross’s body of work than that of a bridge. In an era of constant flux in which once-stable disciplinary borders are shifting, a bridge might be exactly the technology we need for treading unstable ground.
