Thanks to generous support from the iMEdD International Incubator, we’ve been able to grow the post-production team for Cómo Vivimos. In addition to the ongoing tremendous efforts of editor Alexis McCrimmon, the team will also include: Paloma Martinez, Co-Editor Dayana Velasco, Assistant Editor + Translator Ted Griswold, Sound Designer Matt Rowles, Audio Engineer Harriet Adams,… Read more
The award-winning, documentary series POV has selected Oscar Molina’s feature-length documentary, La Casa de Mamá Icha, as part of its slate for its 34th season. With films airing beginning in July 2021, POV “reaffirms public media’s vital role as a platform for the people and in sparking national dialogue. America’s longest-running documentary series’ newest season… Read more
My feature-length documentary, currently in post-production, Cómo Vivimos, has been unanimously selected as one of ten projects to participate in the third cycle of the iMEdD International Incubator for Media Education and Development. Funded by the Stavros Niarchos Foundation, the iMEdD incubator hosts organizations and individuals from around the world who are pursuing innovative, ethical,… Read more
by Aggie Ebrahimi Bazaz & Liz Miller Originally published in The Digital Radical, a publication of the Center on Digital Culture and Society at The University of Pennsylvania EXCERPT As documentary filmmakers, the concept of power is essential to how we think about shaping and telling stories. We consider ourselves digital radicals because we both… Read more
A co-created performance ethnography to bring into dialogue two segregated communities while requiring audiences to embody the experience of navigating the norms and expectations of defamiliarized spaces.
Collaboration with Luis Magaña & 67 Sueños to preserve stories of former Bracero farmworkers in Stockton, California while investigating ways in which Bracero histories inform today’s US-Mexico immigration policies.
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