Cómo Vivimos Post-Production Team Grows!

Thanks to generous support from the iMEdD International Incubator, we’ve been able to grow the post-production team for Cómo Vivimos. In addition to the ongoing tremendous efforts of editor Alexis McCrimmon, the team will also include: Paloma Martinez, Co-Editor Dayana Velasco, Assistant Editor + Translator Ted Griswold, Sound Designer Matt Rowles, Audio Engineer Harriet Adams,…
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US National Premiere of La Casa de Mamá Icha in POV Season 34

The award-winning, documentary series POV has selected Oscar Molina’s feature-length documentary, La Casa de Mamá Icha, as part of its slate for its 34th season. With films airing beginning in July 2021, POV “reaffirms public media’s vital role as a platform for the people and in sparking national dialogue. America’s longest-running documentary series’ newest season…
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Cómo Vivimos awarded International Fellowship

My feature-length documentary, currently in post-production, Cómo Vivimos, has been unanimously selected as one of ten projects to participate in the third cycle of the iMEdD International Incubator for Media Education and Development. Funded by the Stavros Niarchos Foundation, the iMEdD incubator hosts organizations and individuals from around the world who are pursuing innovative, ethical,…
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Article for UPenn’s Center on Digital Culture and Society: “Invited and Implicated: Toward Critical Reflexivity in Non-fiction VR”

by Aggie Ebrahimi Bazaz & Liz Miller Originally published in The Digital Radical, a publication of the Center on Digital Culture and Society at The University of Pennsylvania EXCERPT As documentary filmmakers, the concept of power is essential to how we think about shaping and telling stories. We consider ourselves digital radicals because we both…
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“How to Tell a True Immigrant Story” Official Selection at Encounters Film Festival Bristol

So thrilled to be sharing our film in 360º video at The Watershed in Bristol, UK, one of the world’s premiere sites for research on the intersections of documentary and technology.

How to Tell A True Immigrant Story

Director, 360º Documentary

In performative, poetic tapestry, a Latinx community in New York responds to racial profiling, ICE surveillance, constrictions of the “immigrant” label, and documentary’s complicity.

Presente Saratoga

Co-Director, Multimedia Documentary Performance

A co-created performance ethnography to bring into dialogue two segregated communities while requiring audiences to embody the experience of navigating the norms and expectations of defamiliarized spaces.


Co-Director, 360º Documentary

A young man from Oaxaca, Mexico relfects on creating possibilities for himself and his indigenous Triqui community in the United States.

City Harvest Documentary: A Collaboration with Digital Editing Students

Producer & Editing Supervisor

A collaboration between my Digital Editing class and Termite TV Collective to log and edit Deb Rudman’s newest City Harvest documentary.

Abuelito Fue Bracero

Director, Community-Based, Multi-Platform Collaboration

Collaboration with Luis Magaña & 67 Sueños to preserve stories of former Bracero farmworkers in Stockton, California while investigating ways in which Bracero histories inform today’s US-Mexico immigration policies.